This is a renga composed in a design workshop conducted by interMedia lab design researcher, Idunn Sem at RMIT University July 29 2011. The workshop title was Bring your tools! Artifacts of expression and expressive artifacts in collaborative design research.
Marsha Berry used renga and Twitter as her tool to create an artifact of expression. The participants composed the renga above. Renga is a literary art form written by two or more collaborators that was popular in Japan during the medieval and Edo periods. Bashõ was a keen proponent and innovator of the form. As well as being poetry, renga is an improvisation where two or more poets collaborate to produce a performance through linked verse.
Reichhold (1995) describes the writing of renga thus,
While engaged in contributing to a renga the writers are aware that a careless, uneducated reader could find the completed poem merely a crazy-quilt assemblage of alternating two and three line stanzas. However, they also know that a knowledgeable, sensitive reader will legitimately anticipate a creative, meaningful and enjoyable assemblage of organized stanzas. Writers of renga design their lines so that ANY ADJACENT SET of two and three lines will have a subtle but recognizable relationship.

